Onah Indigo from noaccordion and Jonathan Youtt from The Sustainable Living Road Show/The Big Tadoo Puppet Crew joined forces this summer at Puppet Plex in Berkeley, California to film the Green Screen puppet portion for noaccordion’s Mama Nature music video. Jesse and Sirraum Nash hopped aboard as well to help with puppetry, filming and editing. Jonathan and Onah co produced the project while Onah and Jesse worked on the editing. This is a fun, playful video that should appeal to a wide age range. It packs a loving and potent message so true to our current times and encourages us to respect all mothers especially mother earth. Mama Nature video will officially release on Earth Day 2017.
Freak in C: noaccordion’s Polyrhythmic Dance Tracks, Goddess-Loving Hip Hop, and Beautiful Contradictions
New album Love Warrior releases Aug 18, 2016
When multi-instrumentalist Onah Indigo first picked up the accordion, she had to put it down. It was heavy, awkward, annoying.
Yet eventually, she found an idiosyncratic stance that puts the instrument center stage, while defying its limitations. Like the push and pull of bellows, this tension generates a quirky blast of energy. Add club beats, underground MCs, freaky variations on deceptively familiar keys, a bit of surrealist wit, and a rebellious fight for greater openness, and you have noaccordion.
On Love Warrior (release date: Aug 18, 2016), noaccordion’s first full-length album in five years, Onah digs deep into the polyrhythms and quirky phases of the heart. She taps MCs (Sunru, Chatterbox, Delwin G), beatboxers (Mastah Lock), and musical mavericks (guitar wizard Eenor) to get the party started–and to celebrate the glories of womanhood, from the elevated to the sensual.
“The tracks on this album mark a major milestone in my movement toward greater confidence and joy, something I think a lot of women can relate to,” muses Onah, speaking of her journey through motherhood, divorce, renewed sexuality, and artistic transformation. “I feel I’ve grown musically stronger and set aside all my obsessions as an audio engineer. I’ve become a lot more open and playful. For me now, it’s about juxtaposition, yin and yang. It’s the light and the dark. We need to embrace both.”
Embracing wide ranging influences comes naturally to noaccordion. Onah got hooked on club music during the first big wave of techno, drum ‘n’ bass, and jungle that swept Europe in the early 90s. She later turned to beatmaking after the death of her second child, as a way to cope with the grief. It became a musical fascination, one she honed over the years, in response to changing sounds on the electronic music scene, sounds that come through loud and clear on the trap-inspired instrumental “Frey”.
Rhythmic experiences from other traditions and genres, from samba to jazz, have infiltrated her beats, expanding the 4/4 tendencies of many club tracks. “I want to feel the internal pulse in my body,” Onah explains. “When you’re in a samba band, you dance as you walk to the beat. You internalize the pulse and then lay your polyrhythms on top,” an approach that creates intriguing tracks.
Like the club music and hip hop that inspired the album, noaccordion’s music is made to get people moving, while delivering a message of liberation, self-love, and sheer delight. “I’ve got a huge connection with movement and sound,” she says. “I can’t sit still when I’m playing. I’m going to embody that pulse in some form of movement.”
Hence the accordion, which, despite the project’s name, pops up on several tracks (“Trouble” and “Mama Nature”): It allows a keyboard player to move. But the instrument has a charisma all its own, one that Onah does not want to overshadow her work.
“I call my project noaccordion for a reason. People have strong reactions to the instrument. Most people love it; it often reminds them of their cultural past. But some people can’t stand it. It’s a particular sound, designed to be played outdoors and loudly,” she says. “I may not play it a few years from now. It may not appear in my repertoire. I don’t want to be defined by it.” But of course, sometimes noaccordion includes accordion: “I like to break rules,” laughs Onah. “Even my own.”
Though Onah’s songs, performances, and engineering are the heart of noaccordion, she brings friends and kindred spirits into the mix, fellow musicians from the Oakland underground with distinct voices and visions. They include vocalists like Sunru, featured on Love Warrior’s opening track. “He’s phenomenal. I needed someone who could pull off a Rick James-style vocal. He was the only one I could think of. We had a blast. He has to be one of the most unique guys, and his freestyle ability is amazing, hip hop meets metal.” Or Chatterbox, a puppeteer, MC, and environmental activist who connected instantly with Onah, thanks to his love of accordion. (He shines on “Mama Nature.”)
There’s a musical thread tying the tracks together, a harmonic choice that reinforces Onah’s call for self-discovery, for finding extraordinary strength and new insights in the ordinary. “Conceptually, these ten songs were all written in C, but the modes are each different,” she explains. “It adds to the strange harmonies that might sound a little unusual to some listeners. I’ve always had this weird relationship to C; I thought it was boring. But there are endless possibilities in each key. I’m finding the freak in the key of C.”
Finding the freak in plain sight is part of accepting freakiness and growing in love. “I had a huge heart opening a few years ago,” Onah recounts. “I’ve learned to that to keep my heart open I must maintain a fierceness. A warrior’s love. Even if people are knocking me down, I fight to stay in that place of love, starting first and foremost with myself.” It’s a fight worth fighting, and one that resonates beautifully on the dancefloor.
These are snaps of behind the scenes during the MFLS 12 hour video shoot. It took a production crew of 6 to make this happen with most people volunteering their time. Oliver de Lantsheere and I produced this music video.We brainstormed a week before the shoot and a couple of days before the shoot I collected 50 vases, 2 wedding dresses, copious amounts of white fabric/lace, tables and chairs while Oliver filmed, crushed, froze, burned flowers I had gifted him. The night before we set up most of the backdrop at the Super Natural Factory in West Oakland. On Friday Feb 6 we began to unload at 3 pm. The party started with mimosas and snacks. Jalua and Donna spent hours on my make up and hair while Max, Noah and Oliver finished the set dressing. Max stepped in to finish off my recycled wedding dress and head piece and then at 8 pm I was ready to go on set. We began to discuss and improvise what I would do up there. We began rehearsing while Oliver continued to projection map and experiment with new images. Around 1 am, after many rehearsals, we began filming live takes. I was allowed to do everything except break the vases so I had to pretend that until the last take. At 330 am, hours later, excited, blistered and exhausted, we opened the last bottle of champagne, toasted to the fun and insanity that comes with being creative and then took the last take. This time I was allowed to break glass which was exhilarating except I kicked my shoe off half way through the take and the floor was covered in broken class so I had to hop on one foot for the dancing scene. We ended up prefering the last take, no edits, and chose it for the music video. Thanks to Oliver de Lantsheere, Jalua Dell, Max Neuman, Donna Wood and Noizy Ark for helping me make this happen!!!
CALENDARS CAN BE PURCHASED ON THIS WEBSITE’S SIDE BAR
Onah Indigo is featured in this years Accordion Babes Calendar
I am full participant of this project!! Although this is the most Beautiful, Sexiest, Eclectic, Accordion Babes Calendar yet with a set of original music from Bad Ass Female Accordion Playing Musicians, our release date was extremely delayed and we only have a few days before this year ends and the next one begins. Some of you have already received them as free gifts which is what I like to do but if I can cover my costs and then some that would cool. So if you wanna buy one or a few hit me up,
1 Calendar $15 + shipping
5 Calendars $60 + shipping
ORDER THEM ON MY WEBSITE (via the paypal sidebar)
$ 5 shipping any size order in the USA
$ 20 and up (International shipping varies)
All the Best,
Here’s a message from Renee Della Prade founder of the Calendar:
Dear friends and family and fans,
2014, what a year. I’ve had metaphorical flaming hoops to jump through, geysers to contain, and mountains to climb. I’ve realized that I can’t really handle the work-load, travel, and couch-surfing lifestyle which I adopted this year as a long-term plan. My body is starting to say, “Oh hell no! When do I get a break?” There is little rest for this ambitious, time-crunched Accordion Babe. So, once again, I’m sending out an email to ask for your help. I have a huge stack of really sexy Accordion Babes Calendars standing by, and they need homes! This year’s calendar is the best one yet; the first year we’ve had a Brazilian artist (Adriana Sanchez); and the first time I get to collaborate with a celebrated fantasy novelist (Peter S. Beagle) to produce a song together for the album. The calendar is also very sleek-looking because it’s ad-free this year. I love the CD and I love our art. The 2015 Accordion Babes Calendar release got delayed for a number of reasons this year; but what’s bad for me is good for you because I am having an AWESOME HOLIDAY SALE which is going to last through December 25th. You can take advantage of great wholesale prices; and you can give the gift of Accordion Babes to your nearest and dearest. (Please order ASAP to ensure your delivery in time for Christmas; the post office is always slower this time of year.) 5 copies = $60 ($12 each)