[audio:https://www.noaccordion.com/wp-content/uploads/2011/08/05-Bessie-Smith-Empty-Bed-Blues-1928.mp3|titles= Bessie Smith, Empty Bed Blues, 1928]
[audio:https://www.noaccordion.com/wp-content/uploads/2011/08/19-Louis-Armstrong-and-His-Hot-Five-Heebie-Jeebies-1926.mp3|titles=Louis Armstrong and His Hot Five, Heebie Jeebies, 1926]
Louis Armstrong played his trumpet with such great phrasing and tone. He was a master at the mute, invented scat singing, and had a cool, unique voice.
[audio:https://www.noaccordion.com/wp-content/uploads/2011/08/09-Jelly-Roll-Morton-King-Porter-Stomp-1939.mp3|titles=Jelly Roll Morton, King Porter Stomp, 1939]
some more stride piano, getting the swing into the rhythm
[audio:https://www.noaccordion.com/wp-content/uploads/2011/08/2-07-Fats-Waller-Somebody-Stole-My-Gal-1935.mp3|titles= Fats Waller, Somebody Stole My Gal, 1935]
I just finished a six week intensive look at the history of jazz. My ears are still buzzing with excitement about an amazing musical movement that started in the United States. I’ve spent a lot of time living outside of the States and seeking inspiration from other countries almost to the point of rejecting any American Music but now I have been reminded of what a rich musical history the United States has. I plan on paying homage to many of these amazing jazzers over the next few months. So first I want to acknowledge Fats Waller “a father of stride piano” and extremely entertaining entertainer. Stride piano heavily influenced the first jazz.